inCulture

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JoinedAugust 6, 2020

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Shreya is a recent graduate from Ashoka University with a major in Political Science and a concentration in International Relations. Her favourite pastime is indulging in pop culture under the garb of academic research

Society

Importing India – The (Dis)Content of Digital Diasporas

In the face of microaggressions, systemic discrimination and cultural appropriation, the urgency to defend one’s own roots is understandable, imperative even. But these roots are often bloody. Uprooting a culture does not necessarily clean it Read More

Anant Shah- Founder

Anant Shah (just as his Instagram bio says) has always been interested in connecting people though their different cultures. He is drawn to this goal, given his background of a family of artists, as well as his work at several different organisations such as the People Tree with Orijit Sen, The Conflictorium in Ahmedabad and The UN (AIDS) Communications and Global Advocacy Team in Geneva. As a graduate of History and International relations at Ashoka University, he co-founded and set up the Ashoka Literature festival in 2019. Longing to increase this critical discourse on contemporary and traditional Indian Cultures he finally decided to start InCulture.

Kartik Sundar- Founder

Kartik Sundar loves nothing more than opining on cultural content. An avid writer for many publications, the decision to start one of his own came from recognizing a substantive lack of critical discourse around Indian culture today. He graduated Ashoka University with a degree in History & International Relations and wishes to complete further education with a focus on media and cultural studies.

We at inCulture are looking to shed light on what we see as an emerging new Indian culture as well as paying dues to the traditions that have been integral in shaping the current space. We want to try and create a space where critical reflection on cultural events, individuals, works of art, or practices can be fostered. Rather than exist as a cultural news outlet that merely serves as a bulletin board for the latest releases, inCulture will look to curate multi-medium pieces that seek to inform readers about aspects of our culture that make you think beyond an immediate reaction. In particular, we strive to look critically at Indian culture by investigating it under four distinct categories – film & theatre, music, spaces, and society.

The Madness of Crowds: A Lesson in A Suitable Boy

The Fabulous Lives of Bollywood Lies

Queer Cinema Needs a Change in Representation

Of Predawn Prayers, Early Winters, and Vivid Nostalgia

The MDH Brand: Projecting an Indian Culture

Shruthi in the West – A Chronology of Indian Sounds in Western Music

Shruthi in the West – A Chronology of Indian Sounds in Western Music

The Casteless Collective – On Gaana and Dissent

The Psychedelic Orient – The Story of How India Became The West’s Drug-Culture Capital

Remembering the Dusty Halls of Bally Sadharan Granthagar

Tripping off Terraces – An Ode To Days Spent Above

A Tale of Three Cities: Metropolitan Mutation and Building a Home

The Unsuitable Tongues of Mira Nair’s ‘A Suitable Boy’

Reviving Interactive Narratives – Storytelling Traditions

Using Art as Narrative, Graphic Novelists are Retelling Indian Epics

The inCulture Room – Shaleen Wadhwana

The Colonial Lens of Imperialist Photography

The Space That Art and its Market Occupy in Indian Society – Part 3

The inCulture Room – Shaleen Wadhwana

The inCulture Room Episode 4 – Rahul Ram

The inCulture Room Episode 3 – Jyotsna Mohan Bhargava

Raga Rock – Classic Rock & Indian Classical

Indian Media Needs a Youth Translator

Nepotism in Bollywood- The Media’s Monster

Importing India – The (Dis)Content of Digital Diasporas

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