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The inCulture Room – Shaleen Wadhwana

Shaleen Wadhwana is an independent arts educator and cultural heritage professional. Her curatorial practise explores meta-narratives in global history and artistic responses to contemporary social issues, reflected in her current show FRIN/GE at Vadehra Art Gallery, Delhi. She has curated OSMOSIS, a 3 artist show at TARQ Gallery, Mumbai (2019) and co-designed India’s first virtual artist residency Fissure with the Pollinator Interdisciplinary Lab (ongoing).As a Visiting Faculty at MIT Institute of Design, Pune, she teaches Big History and Design Futures and is the Humanities curriculum designer for their Innovation Programme. She has worked with cultural institutions like the British Museum, London, National Museum, Delhi and Chemould Prescott Road Gallery, Mumbai. She is academically trained in Art History (SOAS, London), Cultural Heritage Law (University of Geneva-UNESCO), Liberal Arts (Young India Fellowship, Ashoka University) and History (Lady Shri Ram College, Delhi University). Recently, her research has been showcased at the Art and Antiquities Conference, Mumbai and in the India Perspectives Journal of the Ministry of External Affairs, India.

In a recent interview with Shaleen, we discussed what it means to be a curator in today’s landscape, and explored the outer rims of art, society, and identity with a Zoom tour of Shaleen’s latest curatorial venture with Vadehra Art Gallery: FRIN / GE. Within the context of FRIN / GE, they explore what it means to be a curator during the pandemic, how the relationship between the artist and curator is affected by technology and Lockdown, and the many innovative ways that both artists and curators are dreaming up to make their content more accessible to the world. Shaleen further disseminates the need for spaces such as FRIN / GE and what it means to be marginalised or beyond the norm. With this exhibition, any viewer will learn more about the importance of the conversations that art initiates, and the need for spaces where such conversations can happen whilst enhancing their knowledge on the many stakeholders in the world of art.

To see more installation shots of the artwork, please visit the official website of Vadehra Art Gallery:

To embark on a 3D map tour of the exhibition, please click on the link below:…

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About Us

Anant Shah

Anant Shah- Founder

Anant Shah (just as his Instagram bio says) has always been interested in connecting people though their different cultures. He is drawn to this goal, given his background of a family of artists, as well as his work at several different organisations such as the People Tree with Orijit Sen, The Conflictorium in Ahmedabad and The UN (AIDS) Communications and Global Advocacy Team in Geneva. As a graduate of History and International relations at Ashoka University, he co-founded and set up the Ashoka Literature festival in 2019. Longing to increase this critical discourse on contemporary and traditional Indian Cultures he finally decided to start InCulture.

Kartik Sundar- Founder

Kartik Sundar loves nothing more than opining on cultural content. An avid writer for many publications, the decision to start one of his own came from recognizing a substantive lack of critical discourse around Indian culture today. He graduated Ashoka University with a degree in History & International Relations and wishes to complete further education with a focus on media and cultural studies.

Who We Are

We at inCulture are looking to shed light on what we see as an emerging new Indian culture as well as paying dues to the traditions that have been integral in shaping the current space. We want to try and create a space where critical reflection on cultural events, individuals, works of art, or practices can be fostered. Rather than exist as a cultural news outlet that merely serves as a bulletin board for the latest releases, inCulture will look to curate multi-medium pieces that seek to inform readers about aspects of our culture that make you think beyond an immediate reaction. In particular, we strive to look critically at Indian culture by investigating it under four distinct categories – film & theatre, music, spaces, and society.


All views and opinions expressed in the articles, videos are personal to the Author/Editor(s) and don’t mean to offend any individuals, organisations, institutions or communities.

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